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He will be lured by Mike as Mike finds more miscreants in need of legal advice in the rabbit hole of Albuquerque’s drug world. We can see now the outlines of Jimmy’s transition to Saul Goodman.
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And that leads him to a clandestine meeting with Nacho, who apparently is about to chaperone him to the world of professional killing. Nonetheless, he decides that he needs money to move Stacey and his granddaughter into another home. Mike suspects the latter after he spends a sleepless night in a car across the street and hears nothing resembling gunshots, other than the nighttime thud of delivered newspapers. Then again, it might be a figment of Stacey’s imagination. He spends most of this episode fretting over his daughter-in-law, Stacey, who believes her home is being shot at, perhaps by allies of the corrupt Philadelphia police officers who used to work with her now-deceased husband.
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In part it is because he’s played with just the right dollop of sleaze by the comedian Joe DeRosa, and in part because he’s such a great concept - a man who can patch up your pooch and find you part time work as a killer. In “Amarillo,” that was most apparent during Mike’s visit to the veterinarian who doubles as a clearinghouse for underworld jobs. The problem is that “Better Call Saul” invites the comparison because the tone and plot of the show occasionally flirt with the atmosphere of dread and danger that gave “Breaking Bad” its very particular frisson. A few readers in the comments section have urged that “Better Call Saul” be judged on its own terms, rather than be constantly compared to “Breaking Bad,” and that is a fair point.
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It does, and I credit the writer (Jonathan Glatzer) for making that moment resonate I felt palpable relief when the geriatrics started dialing in.īut it still feels like a letdown that the decision hangs on a matter as mundane as the success of a TV ad. No, the big, drawn-out question of “Amarillo” is whether Jimmy’s ad is going to work, and light up the phones at Davis & Main. But the tension isn’t of the “Is that dude going to get shot in the head in the desert?” variety, as it was briefly in Season 1. Law” than “Breaking Bad.” Not that it lacks for tension. In the spectrum of entertainment, the show is currently closer to “L.A. What’s clear now is that “Better Call Saul,” at least for the time being, is mostly a law-firm drama with psychological wrinkles and a hearty helping of fraternal intrigue.
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That said, I found myself only intermittently gripped by “Amarillo,” as the episode is titled. This is more suspense than we saw at the end of either of the first two episodes, which seemed completely uninterested in leaving behind a bit of viewer bait. And Mike has been summoned by Nacho and asked if he will take a job as a hit man. Jimmy McGill has an appointment in the morning with the partners of Davis & Main, who will decide whether his TV ad - an appeal for clients that was never approved by the firms’ mandarins - will get him fired. Say this for Monday’s episode: It ends with cliffhangers.